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Decorator Index: Ester Bruzkus

The Berlin-based designer brings her glamorous interiors to life with playful juxtapositions

Jens Bösenberg

Who is she? West Berlin based Bruzkus initially dreamt of being a fashion designer before a summer job at Disney World Florida, threw her off course. Seduced by the world of hospitality, she decided to return to Europe to pursue a career in architecture, with a view to becoming a creator of hotels, restaurants and bars.

In 2002, she set up her own practice, Esther Bruzkus Architekten, after studying at the École Nationale Supérieure d’Architecture de Paris-Belleville and the Technische Universität Berlin respectively. Bruzkus’s breakthrough project was the Amano Hotel in Berlin’s Mitte district; bars, restaurants, cinemas and apartment renovations followed. Today, with her American business partner Peter Greenberg, she employs a team of 15 at her Berlin-based office.

Ester Bruzkus
Jens Bosenberg

What is her style? ‘I enjoy working with contradictory elements,’ Bruzkus says of her interiors, which are characterised by contrasting materials and shapes. ‘Thick and thin, sharp and soft, curved and straight, common and opulent, colourful and restrained,’ she adds. Inspiration comes from a variety of influences, ranging from the typical – travel, art galleries and architecture – to the less so: ‘dreams, random conversations, bridges, street signs, clouds, bodies of water and light and shadows’, she says.

Bruzkus used 3D tiles from DTile, with bright grouting in the Futurice office, Berlin
Ester Bruzkus

L.A. Poke restaurant in Berlin (below) is a case in point, as she cites a dizzyingly diverse number of influences, from David Hockney’s 1967 painting A Bigger Splash, and the imagery of the Italian surrealist artist Giorgio de Chirico, to the architecture of Mies van der Rohe and Ettore Sottsass, plus Rothko’s use of light, the work of theatre director Robert Wilson, Corbusier’s 1931 colour palette and an actual sliced avocado.

LA Poke in Berlin, where the inspiration of Hockney can be seen
Photographer: Jens Boesenberg

What are her most recent projects? An eponymous restaurant for top Berlin chef Tim Raue in the Villa Kellermann (below), Potsdam, awarded ‘Gastronomer of the Year’ by French restaurant guide Gault & Millau.

Villa Kellerman, the historical colour palette fuses withmodern detailing throughout the chef’s venue
Photographer: Jens Boesenberg

Bruzhus’ goal with the historic site, which dates back to 1914, was to ‘create an ambiance that bridges the familiar and the new by using a historical colour palette with precise modern detailing’. Mixing vintage and contemporary pieces and old and new fabrics (see below), the interior is a fusion of eras, making it truly of the moment and, as she says,‘a surprising harmony of everyday and opulence’.

Seating is upholstered in ‘Forest’ from Morris & Co at Tim Raue in Villa Kellermann
Photographer: Jens Boesenberg

What is she working on next? Two neighbouring boutique hotels in Munster, both with the same owner. A Modern European restaurant called ‘Remi’ is also underway and due to open in Berlin’s Mitte neighbourhood in April.

In Bruzkus Berlin apartment a soft Berber rug and her custom-design marble-top tables continue the theme of juxtaposition
Jens Bösenberg | Whitelight Studio GmbH

She says ‘To be a good designer, one has to be a good listener: not only to the needs of the clients, but also to the space – the building really tells you what it wants to be. We think good design combines rational and logical planning with playful contrasts of materials and forms. You must follow your gut. Don’t be afraid of doing something new, or of mixing and matching unusual things. Remember the actual material details are super important, though. How materials meet and combine can determine whether something is beautiful or not. And an important tip to clients is to trust your interior designer!’ esterbruzkus.com

This article appeared in the March 2020 issue of ELLE Decoration.

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